
Kohava Ray
Education:
2000-2003 Bachelor of Fine Arts Slippery Rock University, Pennsylvania, USA
Major in Arts Specializing in photography and visual arts
2002-2003 Exchange Rotation Scholarship Poznan Academy of Fine Arts, Poznan, Poland
Major in Arts Specializing in plastic arts and photography
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1998-2000 Associate Degree in Arts Kansai Gaidai College, Osaka, Japan
Major in English
Awards and Honors
2002 Spring Portfolio Review Program Amity Art Foundation
First Place Award: "Number Five"
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2003 Graduated with Distinction (cum laude) Slippery Rock University, Pennsylvania, USA
*Deans List (2001, 2002, 2003)
*Major QPA: 4.0/4.0
*Overall:3.8/4.0
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2002 Martha Gault Art Scholarship Slippery Rock University, Pennsylvania, USA
*Award in visual arts
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2002 J. Craig Art Scholarship Slippery Rock University, Pennsylvania, USA
*Award in visual arts
2000 Martha Gault Art Scholarship Slippery Rock University, Pennsylvania, USA
*Award in visual arts
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2000 Graduated with Distinction (cum laude) Kansai Gaidai College, Osaka, Japan
Exhibitions
Solo Exhibitions
2009 "Connect I Cut" Gallery Moda di Hamano, Kyoto, Japan
Photopoetry
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2003 "East Meets East" Gallery 164, Slippery Rock, PA, USA
Photograph
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Group Exhibition
2009 "Garden of August" Bistro Tsukian, Kyoto, Japan
Photopoetry
2003 Annual Juried Show Martha Gault Gallery, Slippery Rock, Pennsylvania,PA, USA
*Works shown: "Crossed Forms"
*Second Place Award
*Primary Work selected for SRU Mosaic Concert​
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2002 SRU Student Show Poznan Academy of Fine Arts, Poznan, Poland
*Works shown: "Fan and Body"
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2002 Annual Juried Show Martha Gault Gallery, Slippery Rock, Pennsylvania, USA
*Works shown 1: "White Window"
*Second Place Award
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*Works shown 2: "Number 6"
*Honorable Mention Award
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2002 Eco-Art Show McCousky Center, Slippery Rock, Pennsylvania, USA
*Works shown:"Abandoned"​
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2002 The Hoyt Show Hoyt Institute of Art, New Castle, Pennsylvania, USA
*Works shown:"Abandoned"
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2001 Annual Juried Show Martha Gault Gallery, Slippery Rock, Pennsylvania, USA
Works Shown:"Sarasota Dream"
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​About my name
​My name is Kohava Ray. Kohava means star in Hebrew. Since my partner is Jewish and being attracted to the Hebrew ancient sound, I borrowed it for my artist name. So Kohava Ray gives birth to the beams of stars or sunshine, and I wish my works will be a ray of shining hope in a vast global darkness.
I also hope that these rays may be a door for an oncoming flow of light filled with joy.
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The ways I have chosen to express Kohava's ideas are photographs, photopoems, picture-poems, collages, short recordings, drawings, paintings and mixed media.
What Kohava Ray Sees
She has a highly unusual original vision.
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What she does is to dissect time and space by taking the hidden-in-plain sight aspects of everyday events and images, isolating their strange and surreal beauty from the banality of the whole.
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She will take a tree moving in the wind and capture only the stems of many leaves at a point and time without reference to other components of the scene. We see these green stalks engaged in a sinuous dance in mid-air not knowing where they came from or where they are going. Ultimately, we perceive it is not a dream and react with surprise to what we are seeing.
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In another image we see a strange pattern. A vortex retreating downward into an dark, forbidden and perfectly circular chasm. A thousand imaginings later we learn that this is the horn of an ancient gramophone with a record en faite.
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As she waits for a train, people and events do not simply pass. Instead a cellphone flashes by with animated eyes dancing next to it, dangling bells dangle alone, and a classroom full of childrens' hats float, like a school of fish, down the platform.
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Kohava does not simply use an umbrella in a night-dark forest. Instead she inverts the intent of the umbrella and sees it as a device to stop the darkness. In her world the umbrella is a window which blocks only the dark and admits the residual light of the forest. She uses it to see the otherwise invisible night insects flying around her.
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The result is that we see things we never dreamed were there, and in the end we see the whole more completely than we thought possible.
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